if every bone had not been sucked hollow, 　　the meat held for ransom. the yearling 　　still struggling to walk, its hock bent backwards. 　　its tongue meant to be peeled after boiling —

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Jitka Schneiderová and Jiří Langmajer as husband and wife. He is a very busy lawyer, she is a housewife. A seemingly happy, modern, childless family. Until a car crash enters their lives, a traffic accident that took place somewhere far away near Pilsen...

Didi, Soró and Tatu in search food and water head for the town of Oróz. On their journey they find a Scarecrow, a man in a metal vat, and later are arrested by a Lion Sheriff.

The film captures the life stories and problems of today's young people. On the one hand, there is a love of music and the problems of finding love in life, and on the other, the harsh reality of life in today's society. The fate of the main character is marked by financial problems, but also by the drug history of his loved ones. The film alternates between tragic moments and humorous dialogues, which are often interwoven with the slang expressions of today's youth. The plot is complemented by 12 original songs of various musical genres, sung by the performers.

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Moira, Anete and Caio are employees of a public office who do nothing in the office, which has lost some government attention over the years. Until a new boss arrives, Tales, with his intern Leda, and makes the old employees suffer with new and many jobs to do.

Rui and Vani, are a couple facing normal discussions, problems and situations such as infidelity and convivency problems, but they solve it with great humor.

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Diaries, correspondence and family film recordings reveal a unique view of the life and privacy of the citizens of the so-called Protectorate of Bohemia and Moravia… Young documentarian Ondřej Veverka approached dozens of witnesses of the protectorate times and their descendants to share unique film recordings and written testimonies with him from that time. The result is a three-part documentary that provides a unique perspective on the protectorate. At that time, perhaps more than ever, amateur cameras noticed ordinary everyday things, small joys and ordinary life. Perhaps so that one can at least for a moment succumb to the illusion that the world is actually still in order. But soon tragedy entered these shots as well.